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Matz argues that these writers did not favor immediate subjective sense, but rather a mode that would mediate perceptual distinctions. Just as impressions fall somewhere between thought and sense, impressionist fiction occupies the middle ground between opposite ways of engaging with the world. With its new innovations in the visual arts, cinema and photography as well as the sciences of memory and perception, the early twentieth century saw a crisis in the relationship between what was seen and what was known.
Literary Impressionism charts that modernist crisis of vision and the way that literary impressionists such as Dorothy Richardson, Ford Madox Ford, H.
Exploring the fiction of these four major writers as well as their journalism, manifesto writings, letters and diaries from the archives, Rebecca Bowler charts the progression of modernism's literary aesthetics and the changing role of memory within it. Visual Metaphors: Dorothy Richardson and H. Weaving Cinematic Form: H.
James Joyce was a major modernist writer whose strategies employed in his novel Ulysses for depicting the events during a twenty-four-hour period in the life of his protagonist, Leopold Bloom , have come to epitomize modernism's approach to fiction. Sherwood Anderson 's Winesburg, Ohio is known as an early work of modernism for its plain-spoken prose style and emphasis on psychological insight into characters. The Social History o f Art. Djuna Barnes published her famous lesbian novel Nightwood in When talking about a style that defined careers, it seems a shame to limit an account of Hardy to Tess, or Conrad to what he wrote in or earlier, or exclude the four novels of There are some excellent theoretical arguments made on Impressionism as a style and structure; the introductory chapter is full of insights and should be read by anyone thinking about literary impressionism.